While you have been biting your nails waiting for the next post, I have been enjoying myself in the darker parts of London. Saturday saw me visiting Mulletover, an underground party that feeds the hype by keeping its locations secret and publishing it through viral channels only a couple of days before the event. The highlight there was Dixon, who unfortunately entertained the carnival-masked crowd only two hours until 2AM, which is when Sebo K took over. His set was quite a disappointment, simply because of the mostly dull music. He had a couple of moments though, to give him justice. Dixon played out a couple of records that are quite certainly going to be big once they get released, such as the new Laurent Garnier on Innervisions or the Henrik Schwarz remix of Bill Withers or a track from the new Loco Dice album.

The album altogether is brilliant and quite house-y. Which gives me confidence in saying that House is making a small comeback and conquering back territory from his skinny weird-hairstyle brother Minimal. Another indicator of that have been the recent Radio Slave records, which I have liked quite a lot. And I don’t recall a minimal record from the recent months that would have moved me very much.

But just go ahead and listen to the sweaty beat of “Tight Laces”. It’s really something, isn’t it?

Let’s talk about Rekids. In my view, it’s been one of the most productive and successful labels this year, with virtually every release worth checking out. I also dig their artwork, with the exception of the dead ugly blistered feet on the Radio Slave No Sleep series that make me want to vomit every time I get the record out of my bag. Original, oh yes; but seriously unappealing, even though I get the subtle dance-to-this-record-till-your-feet-hurt implication.

Musically, they (or in fact, Matt Edwards, the guy behind the Radio Slave moniker and the Rekids label) have truly established their own sound, providing nice variety at the same time. The slightly irritating analogue hooks in tracks like the aptly titled “Beautiful Noise” by Spencer Parker or Radio Slave’s “My Bleep” (I loved the Roman Fluegel version) really eat their way into your brain.

This time, Radio Slave is bringing us “Bell Clap Dance”. What a title again, I must say. This one sounds like Jerome Sydenham on acid, with the cowbells and percussion. And it’s really a peak-time banger, which I bet will tear up every club. On the remix side, we have the much-admired German wonder Sebo K, going at it on a slightly deeper approach. This would be my choice for the start of the evening. Both tracks are really excellent, making me wonder how long Mr Edwards can keep all of this up. I, for one, am holding my fingers crossed for Rekids.

A: Bell Clap Dance (original mix)
B: Bell Clap Dance (Sebo K remix)

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